About the warmth of the past

The important image that I always have in mind is ”landscape”. It is a story without beginning and end. It is a band of the stream involving the daily life called miracle. My creation starts by scooping out this constant stream and observing it with dryness and sometimes with excitement. I try to sculpture a beautiful tiny bird to invite audiences to the walk in a deep forest. When my work is put at a corner of your space, I hope that it works as a role of a window that brings the fresh breeze into your room, shows you new expressions of everyday-life, and leads you to the world of limitless imagination. It was a Makonde teacher who taught me fascinations and initiation of wood sculptures while I stayed in Tanzania. As if he was turning the pages of an illustrated book, he chiseled a wood block and told me simultaneously a story regarding the work piece in front of us. His attitude towards his art works has been always my ideal. Walking through my landscape collections in my imagination, I collect the pieces of stories in order to realise my visible art work.