Born in Taichung in 1971, Tsai Wei-Cheng graduated from National Ta Chia Senior High School and studied under Hsieh Tung-Liang. Unlike traditional wood engraving and Buddha sculpture, his style is closer to the people and genuinely interesting. He also insists on implicit oriental spirit, perfectly combining the warm harmony of copper with the cold fortitude of stainless steel. His works are painted with baking enamel and mottled ink to show traces of time, so that beauty and simplicity can blend subtly and unrestrainedly. Every stage of each piece represents a different contemplation of life. Seventy-two Normal and Transformation could be his deepest efforts. The Monkey King transforms into varied forms, expressing the artist’s positive and open-minded attitude toward life.

Art critics often describe Tsai Wei-Cheng as a sculptor with an enlightened perspective. In the past few decades of career, Tsai Wei-Cheng has constantly conversed to himself and his works, transforming his feelings for everything into his creative energy for each piece. In this rapidly changing era, the heart is still the master of everything. By feeling peace in the heart, one can face external difficulties with ease and reach the threshold of transcendence.