An artist who switched from space design and architectural design to sculpture creation. Her works are full of architectural vocabulary and the physical aesthetics of classical ballet. After more than 15 years of self-exploration, her works explore her inner "beauty" from the historical and classical context. On the vanishing line of contemporary human sculptures, the taste of the human body once again arouses the taste buds of human vision. This is Jenna’s artistic outlook that rejects the mainstream and is inherently rebellious. Jenna starts from the implicitness of the human body realistic sculptures of ancient Greek and Roman Divine Comedy, to the distortion and abstraction of the expressionist human body form, and constructs her own creative form of sculpture. She always attempts to break away from the constraints of the "contemporary framework" and express her belongings. Jenna’s British aesthetic point of view, with a spirit of loyalty to herself, transcends the quagmire of contemporary artistic expression. Her creative process is a multi-directional attempt at aesthetics. She has been invited to art fairs for many years and has received much attention from collectors. When the work was exhibited in Singapore, Yang Ziqiang, president of the Singapore Sculpture Society, praised Jenna's delicate requirements for materials and meticulous exploration attitude. International Sculpture Curator: Teacher Qiu Taiyang even publicly praised Jenna’s unique creative thinking by saying, “I claim the original appearance.”