In 2009, I graduated from the Chinese Culture University Graduate Institute of Fine Arts, focusing on the study of ink painting, specifically animals, with a primary emphasis on macaques. Currently, my research in animal painting integrates traditional Chinese landscape techniques and Western classical methods to depict the intricate details of animal fur and feathers.

In recent years, I have extended my macaque-themed work to explore animals with strong "family awareness" concepts, examining the connection between animal behavior and human social living. Influenced by the Japanese Rinpa school and silk embroidery, I experiment with gold leaf and color adjustments in my exhibited works, using "color to replace ink, ink to complement color" and incorporating the Lingnan school's "powder crashing" technique. This approach gives my works a spiritual essence, reflecting animal emotions and expressing my personal life sentiments. Through traditional methods, I convey contemporary emotions, evoking deep emotional resonance in viewers.